Ivan is a young and successful lawyer who enjoys great attention from women. However, this is not mutual, because Ivan is a worthy husband and father, who is among the 20% of faithful men. But the day comes when every good family man wonders if he has the right to "left." Especially when your assistant is a sexy beauty, but also your wife's best friend. A quiet family life or a new romance? Career or fear of losing everything? And finally, what should I do when my wife writes that she is with a friend, and you are with this friend?

暂无剧情简介

Six confused, dis-oriented cadets in an Indian Army academy face many obstacles, yet stand together.

Roy and his friends expose the misdeeds of Sahadevan, a corrupt politician, and soon the friends are found murdered. Later, when Roy dies of an illness, Jayan discovers Roy and Sahadevan's past.

"Kid" Manolin takes on El Chente (The "Red Star") in the boxing ring.

At the Earndale by-election natural history expert and TV personality Bob Wilcot for the Conservatives finds himself up against Billingsgate girl Stella Stoker for the socialists. Amateur politician against committed activist. But could it become boy-who-fancies-girl against girl-who-fancies-boy? The party agents are soon colluding against such a disaster.

一个理想主义的记者为了出名而跟随一个热衷探索超自然的团体，这组人沉迷着看似无害的游戏「Left/Right Game」，然而他们很快发现自己将走进一个足以索命的旅程。

在柬埔寨金边，热爱跳舞的卡妮塔，辗转于各种打工工作之间，骑着机车日夜穿梭在城市中。家里，父亲久病卧床，母亲不断催促她结婚。现实与梦想交织难分，生活就像一盘风格多样的小样带，时而让人迷茫，时而让人清醒。当她再次迎着风出发，明亮的阳光照进眼里。未竟的父女情，倒映在波光粼粼的河面上。她独自起舞，能否寻得那最动听的旋律？

In this early work, Jonas translates her performance strategies to video, applying the inherent properties of the medium to her investigations of the self and the body. Jonas performs in a direct, one-on-one confrontation with the viewer, using the immediacy and intimacy of video as conceptual constructs. Exploring video as both a mirror and a masking device, and using her body as an art object, she undertakes an examination of self and identity, subjectivity and objectivity. Creating a series of inversions, she splits her image, splits the video screen, and splits her identification within the video space, playing with the spatial ambiguity of non-reversed images (video) and reversed images (mirrors). Though Jonas’ approach is formalist and reductive, her performance reveals an ironic theatricality. Illustrating the phenomenology of video as a mirror, Left Side Right Side is a classic of early performance-based, conceptual video. (Letterboxd)

After Tara and Rae go on a date Tara brings Rae back to her train stop. But when Rae disappears with the Train, Tara ends up being followed by two men she has never seen before. When she decides to run she suddenly finds her life at risk.